Philosophy

Wednesday, May 30, 2012

Book Review: 'The Power of Habit,' by Charles Duhigg - Businessweek

Book Review: 'The Power of Habit,' by Charles Duhigg - Businessweek

 
Why We Do What We Do and How to Change It

By Charles Duhigg
Random House; 371 pp; $28

 
When Alcoa (AA) introduced Paul O’Neill as its Chief Executive Officer in 1987, investors thought the new boss was pulling a prank on them. Standing on a stage, O’Neill did not speak about increasing market share or earnings forecasts. Instead, he pointed out the nearest emergency exits. “In the unlikely event of a fire or other emergency,” he said, “you should calmly walk out, go down the stairs to the lobby, and leave the building.” O’Neill’s sole focus that day was on how to make a habit of worker safety.

A big investor immediately called his clients and told them to sell, sell, sell. But as Charles Duhigg recounts in his fascinating book, The Power of Habit, O’Neill soon emerged as one of the best CEOs in modern business history, thanks to his unusual emphasis on safety. By attuning employees to proper procedure, O’Neill streamlined production. “Costs came down, quality went up, and productivity skyrocketed,” Duhigg writes, knocking down the conventional wisdom of manufacturing CEOs before O’Neill. He turned hard-core, ladder-climbing, capitalist executives into soft, feel-good samaritans.

Human habits seem intractable and inexplicable, as ingrained in our beings as the color of our hair. “They are so strong, in fact, that they cause our brains to cling to them at the exclusion of all else, including common sense,” Duhigg writes. But it turns out our habits are quite malleable, and as the author shows, companies are getting ever more adept at identifying, co-opting, and shaping our behavior patterns to increase profits.

A habit is essentially an equation written on the blackboard of the brain’s basal ganglia. First there is a cue: An iPhone dings during a meeting. Then there is a routine: The iPhone is discreetly examined. Then there is a reward: A Words with Friends opponent has made a move, and now it’s time to pounce. We crave the ding and the rush of endorphins it promises.

Though scientists didn’t put a name to this mechanism—the habit loop—until well into the 20th century, entrepreneurs have long understood the importance of routines. Duhigg points to Claude Hopkins, the wizard behind Pepsodent and the man who, in the early 1900s, got us all to start brushing our teeth every day. He found a cue: feeling a weird film on teeth. Through ads, he offered a solution: brush every morning. The reward: clean, bright tingly teeth.

Companies that figure out how to induce new habits can enhance their bottom lines. Procter & Gamble (PG) used habit loops to jump-start sales of Febreze. Soon after they launched the fabric deodorizer in 1996, Febreze executives realized it was not going to be the massive hit they expected. It turned out that people who had smelly homes were so acclimated to cat pee and cigarette smoke that they didn’t notice the nasty odors. There was no reward at the end of the Febreze loop and thus no loop.

But in their field research, P&G executives stumbled on a customer who used Febreze because she liked the way it made her house smell after she was done cleaning. Ding! “We were looking at it all wrong,” an executive tells Duhigg. “No one craves scentlessness. On the other hand, lots of people crave a nice smell after they’ve spent 30 minutes cleaning.” P&G overhauled the marketing material to emphasize the fresh scents Febreze gave to a clean house. Two months later sales doubled. “Eventually,” Duhigg writes, “P&G began mentioning to customers that, in addition to smelling good, Febreze can also kill bad odors.”

P&G’s Febreze experiment is quaint compared with Target’s tactics. As described by Duhigg, the company has a team of statisticians dedicated to studying consumer habits. They look at ages, incomes, job history, what credit cards they have, and almost every item a customer purchases in its stores or even looks at online. Then they send precisely timed coupons and reminders to adjust buyers’ habits without their even realizing it. If a shopper is buying a lot of bread at Target (TGT) but no milk, that must mean they are getting their milk elsewhere.

Target’s puppet masters then offer irresistible come-ons—cues—to get shoppers to start buying milk in its stores. Target can piece together when a woman becomes pregnant (for example, when she buys baggy jeans, vast quantities of vitamins, and unscented lotion around the second trimester), then send her offers for products she’s probably craving.

At Alcoa, O’Neill surely realized the reward executives craved most was moving up the corporate ladder. The typical routine to do that at Alcoa—like at most big companies—had been to sell more stuff while lowering costs in your business unit. But Alcoa had hit a wall before O’Neill arrived. Profits from its aluminum products had stagnated, new product lines were a bust, investors were nervous. O’Neill changed the company’s operation structure: Any time an employee got hurt, the senior members of the department had to deliver a plan to O’Neill showing how the injury would never happen again. Executives who didn’t embrace this one, simple routine were fired or not promoted.

To understand why injuries happened, executives had to become intimately involved with work processes and manufacturing techniques, which led to conversations with frontline employees about their ideas, which led to streamlining operations, which led to lower costs. “In other words, to protect workers, Alcoa needed to become the best, most streamlined aluminum company on earth,” Duhigg writes. The newly instilled habit worked: By the time O’Neill retired in 2000, Alcoa’s profits had quintupled.

Duhigg explains how individuals, too, can tweak their behavior patterns to change bad habits. This is how some people, for example, trick themselves into exercising every day. Cue: running shoes left next to the bed. Routine: run first thing in the morning. Reward: endorphine rush and a healthy breakfast. Duhigg notes that habit loops help explain how bad habits arise in the first place. Cue: feeling sad. Routine: drink. Reward: forget the troubles. He also writes about how understanding the mechanics of habit loops is partly what helped Alcoholics Anonymous succeed in battling addiction. However, Duhigg misses an opportunity for a deep discussion of the obvious converse of the Pepsodent experiment: brands that profit by encouraging self-destructive habits like drinking, smoking, or gambling.

His enthusiasm for corporate ingenuity seems to blind him at times to the sinister aspects of habit manipulation. He even admits to being taken in. “It was really helpful that Target was sending me exactly the right coupons for what I needed to buy,” he notes. But reading the quirky anecdotes and the whizbang science of it all becomes habit-forming in itself. Cue: see cover.


 Routine: read book. Reward: Fully comprehend the art of manipulation.

The Power of Habit - Charles Duhigg


Routines are made up of a three-part "habit loop": a cue, a behavior and a reward. Understanding and interrupting that loop is key to breaking a habit, says journalist Charles Duhigg.
iStockphoto.com Routines are made up of a three-part "habit loop": a cue, a behavior and a reward. Understanding and interrupting that loop is key to breaking a habit, says journalist Charles Duhigg.

  March 5, 2012
Think about something it took you a really long time to learn, like how to parallel park. At first, parallel parking was difficult and you had to devote a lot of mental energy to it. But after you grew comfortable with parallel parking, it became much easier — almost habitual, you could say.

Parallel parking, gambling, exercising, brushing your teeth and every other habit-forming activity all follow the same behavioral and neurological patterns, says New York Times business writer Charles Duhigg. His new book The Power of Habit explores the science behind why we do what we do — and how companies are now working to use our habit formations to sell and market products to us.

How Habits Form

It turns out that every habit starts with a psychological pattern called a "habit loop," which is a three-part process. First, there's a cue, or trigger, that tells your brain to go into automatic mode and let a behavior unfold.

"Then there's the routine, which is the behavior itself," Duhigg tells Fresh Air's Terry Gross.

"That's what we think about when we think about habits."


The Power of Habit
The Power of Habit
Why We Do What We Do In Life And Business
Hardcover, 371 pages | purchase
The third step, he says, is the reward: something that your brain likes that helps it remember the "habit loop" in the future.

Neuroscientists have traced our habit-making behaviors to a part of the brain called the basal ganglia, which also plays a key role in the development of emotions, memories and pattern recognition. Decisions, meanwhile, are made in a different part of the brain called the prefrontal cortex. But as soon as a behavior becomes automatic, the decision-making part of your brain goes into a sleep mode of sorts.

"In fact, the brain starts working less and less," says Duhigg. "The brain can almost completely shut down. ... And this is a real advantage, because it means you have all of this mental activity you can devote to something else."

That's why it's easy — while driving or parallel parking, let's say — to completely focus on something else: like the radio, or a conversation you're having.

"You can do these complex behaviors without being mentally aware of it at all," he says. "And that's because of the capacity of our basal ganglia: to take a behavior and turn it into an automatic routine."

Studies have shown that people will perform automated behaviors — like pulling out of a driveway or brushing teeth — the same way every single time, if they're in the same environment. But if they take a vacation, it's likely that the behavior will change.

"You'll put your shoes on in a different order without paying any attention to it," he says, "because once the cues change, patterns are broken up."

That's one of the reasons why taking a vacation is so relaxing: It helps break certain habits.

"It's also a great reason why changing a habit on a vacation is one of the proven most-successful ways to do it," he says. "If you want to quit smoking, you should stop smoking while you're on a vacation — because all your old cues and all your old rewards aren't there anymore. So you have this ability to form a new pattern and hopefully be able to carry it over into your life."
Marketing Habits

It's not just individual habits that become automated. Duhigg says there are studies that show organizational habits form among workers working for the same company. And companies themselves exploit habit cues and rewards to try to sway customers, particularly if customers themselves can't articulate what pleasurable experience they derive from a habit.

"Companies are very, very good — better than consumers themselves — at knowing what consumers are actually craving," says Duhigg.

As an example, he points to Febreeze, a Proctor & Gamble fabric odor eliminator that initially failed when it got to the market.

"They thought that consumers would use it because they were craving getting rid of bad scents," he says. "And it was a total flop. People who had 12 cats and their homes smelled terrible? They wouldn't use Febreeze."


That's when Proctor & Gamble reformulated Febreeze to include different scents.
"As soon as they did that, people started using it at the end of their cleaning habits to make things smell as nice as they looked," he says. "And what they figured out is that people crave a nice smell when everything looks pretty. Now, no consumer would have said that. ... But companies can figure this out, and that's how they can make products work."

Companies can also figure out how to get consumers to change their own habits and form new ones associated with their products or stores. The megastore Target, for example, tries to target pregnant women, says Duhigg, in order to capture their buying habits for the next few years.

The biggest moment of flexibility in our shopping habits is when we have a child.

"The biggest moment of flexibility in our shopping habits is when we have a child," he says, "because all of your old routines go out the window, and suddenly a marketer can come in and sell you new things."

Analysts at Target collect "terabytes of information" on its shoppers. They have figured out that women who buy certain products — vitamins, unscented lotions, washcloths — might be pregnant and then can use that information to jump-start their marketing campaign.

This can get tricky: One father was upset after receiving coupons for baby products in the mail from Target addressed to his teenage daughter.

"He went in and said, 'My daughter is 16 years old. Are you trying to encourage her to get pregnant?' and the manager apologizes," Duhigg says. "The manager calls a couple of days later ... and the father says, 'I need to apologize. ... I had a conversation with my daughter, and it turns out there's some things going on in my house that I wasn't aware of. She's due in August.' So Target figured it out before her dad did."

Charles Duhigg writes for the business section of The New York Times.
Elizabeth Alter/Courtesy Random House Charles Duhigg writes for the business section of The New York Times.

 

Interview Highlights

On breaking habits


"What we know from lab studies is that it's never too late to break a habit. Habits are malleable throughout your entire life. But we also know that the best way to change a habit is to understand its structure — that once you tell people about the cue and the reward and you force them to recognize what those factors are in a behavior, it becomes much, much easier to change."

On his bad habits

"I felt like I had a lot of habits that I was powerless over. ... I have a 3-year-old and a 10-month-old. And I remember when my 3-year-old was 1 1/2 or 2. I was writing the book. We would feed him chicken nuggets or other stuff for dinner, which was the only stuff he would eat. And it was impossible for me to stop from reaching over and grabbing his chicken nuggets. It was a struggle every night not to eat his dinner because a 2-year-old dinner is designed to taste delicious and to disintegrate into your mouth into carbs and sugar. And so, I was really interested in this, and I wanted to exercise more and I wanted to be more productive at work."

On rewards

"The weird thing about rewards is that we don't actually know what we're actually craving."

On spirituality and habits


"When [Alcoholics Anonymous] started, there was no scientific basis to it whatsoever. In fact, there's no scientific basis to AA. The 12 steps that are kind of famous? The reason why there's 12 of them is because the guy who came up with them — who wrote them one night while he was sitting on his bed — he chose them because there's 12 apostles. There's no real logic to how AA was designed. But the reason why AA works is because it essentially is this big machine for changing the habits around alcohol consumption and giving people a new routine, rather than going to a bar or drink. ... It doesn't seem to work if people do it on their own. ... At some point, if you're changing a really deep-seated behavior, you're going to have a moment of weakness. And at that moment, if you can look across a room and think, 'Jim's kind of a moron. I think I'm smarter than Jim. But Jim has been sober for three years. And if Jim can do it, I can definitely do it,' that's enormously powerful."


  
 
 
 

Changing Habits


Gubbinal by Wallace STEVENS

Gubbinal by Wallace STEVENS



that strange flower, the sun,
is just what you say.
have it your way.

the world is ugly,
and the people are sad.

that tuft of jungle feathers,
that animal eye,
is just what you say.

that savage of fire,
that seed,
have it your way.

the world is ugly,
and the people are sad.


by Wallace STEVENS



HARMONIUM (1923)

Wallace STEVENS










The Sense of An Ending - By Julian Barnes - Book Review - NYTimes.com



The Sense of An Ending - By Julian Barnes - Book Review - NYTimes.com

















November 10, 2011
Julian Barnes and the Emotions of Englishmen
By LIESL SCHILLINGER



THE SENSE OF AN ENDING


By Julian Barnes


163 pp. Alfred A. Knopf. $23.95


Many literary careers have been made, and doubtless more will be, by conveying the inwardness, awkwardness and social anxiety that constrict British mores like a very tightly wrapped cummerbund. This suffocating self-consciousness lies at the heart of British humor, whether in the farcical scramble of trying to keep up appearances or the risible but sincere terror of being mocked — which sniping English schoolboys still fear, even when they’re grown up, bald and 70.

It takes a brave author to mine this dynamic for pathos instead of sniggers. Evelyn Waugh did it in “Brideshead Revisited,” as did Philip Larkin in “Jill.” (Think of the scholarship boy John Kemp, who “tingled and shuddered” with embarrassment when his posh Oxford roommate’s friend caught him looking at her with desire.) And Kazuo Ishiguro did it in “The Remains of the Day,” which won the Man Booker Prize in 1989. Now, with his powerfully compact new novel, “The Sense of an Ending” — which has just won the 2011 Booker Prize — Julian Barnes takes his place among the subtly assertive practitioners of this quiet art.

Barnes, it goes without saying, is a much-decorated veteran of English literature’s emotional battlefields, one who has covered this terrain many times before. But in “The Sense of an Ending” — his 14th work of fiction — he engages with the untidy collisions of the human struggle more directly than ever, even as he remains characteristically light on his feet. In many of his earlier novels, Barnes tackled sexual jealousy, insecurity and competition in an almost jaunty manner. When a husband in “Before She Met Me” guzzles wine and weeps, tormented by thoughts of his wife’s past lovers, a friend dryly remarks, “Doesn’t sound much fun.” In “Talking It Over” and “Love, Etc.,” in which two men take turns marrying the same woman, all three members of the ménage are too sophisticated to show much pique. And in more elaborately scaffolded novels like “Flaubert’s Parrot” and “Arthur and George,” Barnes encases any sharp-edged questions of love in the sheathing of plots about historical figures. But in “The Sense of an Ending,” he has dispensed with detachment and shed his armor plating.

The new book is a mystery of memory and missed opportunity. Tony Webster, a cautious, divorced man in his 60s who “had wanted life not to bother me too much, and had succeeded,” receives an unexpected bequest from a woman he’d met only once, 40 years earlier. The mother of his college girlfriend, Veronica, has bequeathed him £500 — a legacy that unsettles Tony, pushing him to get in touch with Veronica (their relationship had ended badly) and seek answers to certain unresolved questions.

Had he loved Veronica? (At the time, it was an emotion he had lacked the spine to own up to.) What had happened to the energetic boy he used to be, “book-hungry, sex-hungry, meritocratic, anarchistic,” who thought of himself as “being kept in some kind of holding pen, waiting to be released” into an engaged adult life of “passion and danger, ecstasy and despair”? And what ever became of the friend he and Veronica both knew back then, a brainy, idealistic boy named Adrian Finn? Gradually, Tony assembles his willfully forgotten past impressions and actions, joining together the links that connect him to these people, as if trying to form a “chain of individual responsibilities” that might explain how it happened that his life’s modest wages had resulted in “the accumulation, the multiplication, of loss.”

Adrian had impressed Tony when he announced his exasperation with their country’s national pose of perpetual insouciance. “I hate the way the English have of not being serious about being serious, I really hate it,” Adrian declared. Hearing this, Tony had felt a “throb of vindication.” But his vindication was unfounded; it belied his own noncommittal nature.

Adrian’s indifference to playing it cool somehow made him the leader of the boys’ clique when they were teenagers; he became the one they looked up to. Yet Tony never emulated Adrian, and was guilty of the pose Adrian deplored: pretending not to care. He pays for this failure again and again, from his 20s to his 60s. “Does character develop over time?” Tony asks himself, wondering at the “larger holding pen” that has come to contain his adult life. Maybe character freezes sometime between the ages of 20 and 30, he speculates. “And after that, we’re just stuck with what we’ve got. We’re on our own. If so, that would explain a lot of lives, wouldn’t it? And also — if this isn’t too grand a word — our tragedy.”

Tony’s tragedy, “if this isn’t too grand a word,” is that he avoids deep connection rather than embracing it, for fear of risking its loss. In college he did not consummate his relationship with Veronica, telling himself that abstinence spared him burdensome conversations about “where the relationship was heading.” He pretends that this was his choice: “Something in me was attracted to women who said no.” But 40 years later, her mother’s gift reawakens Tony’s memories of steamy “infra-sex” with Veronica — sensual fumblings that took place while they were mostly clothed. “Part of me hadn’t minded not ‘going the whole way,’ ” he decides. It had protected him from “an overwhelming closeness I couldn’t handle.”

Not long after the breakup with Veronica, Tony had met, married and (eventually) been divorced from a nonenigmatic woman with “clear edges,” someone he knew he wouldn’t mind losing terribly much. In Margaret, he sought a mature, “peaceable” life. Decades later, he sees the fraudulence in that discretion. “We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them.”

But who does Tony enfold into his “we”? His agonized analysis is entirely self-­referential, as solitary and armored as the man himself. Decades earlier, Tony had accused Veronica of an “inability to imagine anyone else’s feelings or emotional life,” but it was he, not she, who was incapable of looking outside his own head. Barnes’s unreliable narrator is a mystery to himself, which makes the novel one unbroken, sizzling, satisfying fuse. Its puzzle of past causes is decoded by a man who is himself a puzzle. Tony resembles the people he fears, “whose main concern is to avoid further damage to themselves, at whatever cost,” and who wound others with a hypersensitivity that is insensitive to anything but their own needs. “I have an instinct for survival, for self-­preservation,” he reflects. “Perhaps this is what Veronica called cowardice and I called being peaceable.”

“The Sense of an Ending” is a short book, but not a slight one. In it Julian Barnes reveals crystalline truths that have taken a lifetime to harden. He has honed their edges, and polished them to a high gleam.


Liesl Schillinger is a regular contributor to the Book Review.













Tuesday, October 4, 2011

If children are considered the future, why the smoking?

For Chinese Students, Smoking Isn’t All Bad - Businessweek:

"In dozens of rural villages in China’s western provinces, one of the first things primary school kids learn is what helps make their education possible: tobacco. The schools are sponsored by local units of China’s state-owned cigarette monopoly, China National Tobacco. “On the gates of these schools you’ll see slogans that say ‘Genius comes from hard work—tobacco helps you become talented,’” says Xu Guihua, secretary general of the Chinese Association on Tobacco Control, a privately funded lobbying group. “They are pinning their hopes on young people taking up smoking.”

Anti-tobacco groups say efforts in China to reduce sales... "

Chinese kids smoking on the outskirts of Shaoyang in Hunan province
'via Blog this'



Friday, March 25, 2011

Graphic Art



Music by Oh Land: www.myspace.com/ohlandmusic
Video by Rikke Otte: www.rikkeotte.com

Category:

Music







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About
_______________________________
"I am a danish graphic designer and illustrator, located at Nørrebro, Copenhagen.

In my work I wish to create curiosity. Not just towards my work, but towards life in general. As a reminder, that there are different ways of seeing and experiencing life.

My work crosses different platforms within analogue, printed and digital matters.
For any work inquiries, questions, or just saying hi, please email or give me a call."

m. rikke@rikkeotte.com
t. (+45) 2274 0782





GRAPHICS CONCEPT

Bogforum 2011
Its My Picture
I Glimt
Louise Langkilde Larsen
Typing with leftovers
Jazz Scenography
Experimental typography


VIDEO
Oh Land music video
Jose Gonzales experiment
Experimental typography
INFO
Intro
Recognition
About Copyright © Rikke Otte

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SCENOGRAPHY FOR EXPERIMENTAL JAZZ CONCERT AT ÅRHUS JAZZ FESTIVAL




A project made with cardboard as the primary material. I chose to work with

cardboard, as in a short time I needed to be able to build something quite big on a

low budget.

As this was an experimental concert, jazz mixed with electronica, I used images of

traditional jazz instruments and cut them up and put them together again into new

"soundcollages", just as the electronic musician remixed the jazz music into a new

electronic one










Saturday, March 12, 2011

Jared Diamond on why societies collapse | Video on TED.com

More about Love.

  • "Love is the magician that pulls man out of his own hat" ~Ben Hech

  • "Only in love are unity and duality not in conflict" ~Rabindranath Tagore

  • "Tis sweet to know there is an eye will mark our coming, and look brighter when we come" ~Lord Byron

  • "Love is not singular except in syllable" ~Marvin Taylor

  • "Ah me! Why may not love and life be one?" ~Henry Timrod

  • "True love is a discipline in which each divines the secret self of the other and refuses to believe in the mere daily self" ~William Butler Yeats

  • "As soon go kindle fire with snow, as seek to quench the fire of love with words" ~William Shakespeare
  • Love

    • "Gravitation is not responsible for people falling in love" ~Albert Einstein
    • "The hunger for love is much more difficult to remove than the hunger for bread" -Mother Teresa
    • "Love looks not with the eyes, but with the mind,
    • And therefore is winged Cupid painted blind" ~William Shakespeare,
    • "Who, being loved, is poor?" ~Oscar Wilde
    • "Love is my religion - I could die for it" ~John Keats
    • "The way to love anything is to realize that it may be lost" ~G.K. Chesterton
    • "Love is not love which alters when it alteration finds" ~William Shakespeare,
    • "Take away love and our earth is a tomb" ~Robert Browning
    • "Love is the greatest refreshment in life" ~Pablo Picasso
    • "Love is an irresistible desire to be irresistibly desired" ~Robert Frost
    • "Whatever our souls are made of, his and mine are the same" ~Emily Bronte
    • "At the touch of love, everyone becomes a poet" ~Plato